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Free Improvisation Free Jazz Electroacoustic Improvisation Non-Idiomatic Improvisation

SPEEQ OR Live in Strasbourg
by Speeq. (Product Code: RN13)


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FrImp Comment

Atmospheric live album from excellent Eurpoean rockist improv trio and guest vocalist, the imaginative Sidsel Endresen. Great stuff (and fun too).

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Speeq

Luc Ex - acoustic bass

Hasse Poulsen - guitar

Mark Sander - drums

Special Guest: Sidsel Endresen

01 Clean
02 Young
03 Money
04 Never
05 Heard
06 Small
07 Sound
08 Could
09 Break
10 Their
11 Stone
12 Faces
13 Apart


Recording Details

Total playing time:
Approx: 55 mins

No. Tracks:
13

Size of download:
52MB

Recorded:
Recorded live at Le Pole Sud/Strasbourg for Jazz d'Or on November 12th, 2006

Engineered:
Recording and Concert Engineering by Asle Karstad.

Mixed by:
Mixed by Michael Seminatore, Border Studio, april 1st 2007.

Mastered by:
Mastered by Zlaya Hadzic at Loud Studio

Produced by:
Speeq

Artwork/Graphic Design
Photography by Michel Laborde
Design by Friedli van der Hoeven

About FrImp

FrImp? Free Improvisation, the chaotic primordial soup from out of which emerges the most vital music unimaginable.

Discipline & freak out, group consciousness & individual ego, skill, accident, intellect, animal, Yin & Yang & the bits in between, seeping through cracks in musical genres, absorbing and transforming styles and technologies and looking neither forwards nor back but straight in the face and kissing the face and watching the face grow old and die and loving it all, hallelujah!

We give our time freely to the running and management of this website. If we ever cover our costs and actually make a profit we shall invest that profit back into Free Improvisation and support musicians in the recording and production of their art.

The team:
Jamie Smith -The musician.
Paul Drewett -The technician.

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What is Free Improvisation

'What is it?' you ask.

A description is a limitation. To ask what it is, is to not have understood. You have to listen, not read. You have to hear, not see.

The human brain is a three pound blob of greyish organic material that can conceive of a Universe a hundred billion light years across. The pattern of sounds that create music to be appreciated by this grey matter has been controlled and stifled by cultural pressures and the brain was easily bored by the repetitive noises.

When musical notation limited the aural landscape degrees of originality and true expression were suffocated. Distinguishing music from noise depends entirely upon context and perspective. As explorers butted against cultural walls the boundaries were eventually and inevitably breached. With recording and mass production came an accelerated process of cultural sophistication and musicians escaped entirely from all formal constraints.

Now listeners are free to make what they will of the sounds they hear. Music need no longer feed the brain with just a satisfying pattern fixed by cultural experience. Free improvisation can communicate a transcendental experience with no reference to correlated sequences of sound.

From one greyish organic blob almost directly to another. It invites interpretation because it just is.

No explanation neccessary. I hope that explains. (Close)


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Calling all Improvisers

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